Friday 13th March 2026
Review by Mike Latham, photos by Richard Leach
Wasn’t it Postcard Records who coined ‘The Sounds of Young Scotland’? Well, the sounds last night may not have been ‘Young’ but they were intriguing, emotional, empathetic, thrilling and beguiling. Talking to Ron afterwards, he also used the word ‘Ethereal’.
It would appear that we all came away with slightly different but, in the main, similar views of what we had experienced. The contrast between the two performances was very telling. When we go to festivals or one day events there is always a contrast between one performance and another. For me, that contrast was what made both last night so compelling. And it was all about sound.
The Firelight Trio certainly weren’t the average folk band; they took their instrumentation and inspiration from the genre and took it to another space. The sound they created was, to me, utterly magnificent, particularly the full sounds created by the nyckelharpa and the accordion.
My, what a contrast Constant Traveller proved to be. Yes, it would have been good to hear the whole sextet and experience their harmonies but, isn’t it also interesting to hear the stripped back sounds occasionally?
I loved those sounds and couldn’t quite put my finger on them. By contrast, more subdued than The Firelight Trio, they created a sound of tranquility as well as raw emotions. The words I heard spoke of relationships and resilience and, above all, empathy.
My candidates for bands that I was reminded of included Elbow and The Blue Nile. But, there was another name trying to break forth which didn’t quite manage it. On my way home I had the John Martyn Project CD playing. There he was…….. the man himself!
