The best all round roots music club in West Yorkshire
Category: Gig reviews
Apr 26 2026
Robbie Cavanagh & The Whole Family
Friday 17th April 2026
Photos, video by Keith Belcher, review by Mike Latham
A case of ‘And now for something completely different’. A showcase for Robbie with a full band, he impressed the audience when he played solo but, having a great trio of musicians behind him his music and songs took on an extra dimension.
The evening started with great energy and that carried on throughout with a few lulls in the energy created by the introspection and empathy of some of his thoughtful tales of love and loss. And what a lyricist he has become.
Those songs were ably supported by Dan, Thomas and Roberto who provided great support to Robbie and, as the man himself said, all had a wonderful time. As did we in the audience. Thanks, as always to Ron, Hilary and the volunteers.
One final word. Jim Reeves? He’ll have to go!
Videos by Keith Belcher
Texas Cooking
Love Comes Quickly/Another Dead End
Helpless
Apr 25 2026
Dean Owens & The Sinners (2026)
Friday 24th April 2026
Photos by Richard Leach
Apr 23 2026
Julian Taylor
Sunday 19th April 2026
Photos and video by Keith Belcher, review by Mike Latham
What a stupendous show, once again confirming the magic that live music brings to our lives.
An impressive opening performance from Michele Stodart both in her playing and in her stunning observations of life.
There was a theme from both sections of the evening and that was the artistry of both writers portraying the hardships faced in life, whether mental health issues, racism or sexism and showing the strengths in working together. An issue addressed by Julian in the second half.
And what a second half that proved to be. He mirrored a lot of the themes that Michele had addressed in her set but, as the session progressed and the glances exchanged among the front line were observed, it suddenly became ‘Party Time’. Julian’s vocals revealed a beautiful soulfulness and the sounds alternate between soul, funk and rock.
As stated previously, his accompanying musicians completed a well appreciated performance. I’m certain it will be in ‘the end of year lists’ of those who witnessed this event.
Thanks, as always, to Hilary, Ron and the volunteers. Great sound too.
Videos by Keith Belcher
Michele Stodart: Dismiss Me
Michele Stodart: Promise
Julian Taylor: Ain't Life Strange
Julian Taylor: Bobbi Champagne/Sweeter
Apr 5 2026
Rosier & Elanor Moss
Sunday 29th March 2026
Photos & video by Keith Belcher, review by Mike Latham
A wonderful introduction to two new names to me; great to see such younger musicians coming forward to take what has gone before and add their own stamp on it.
Elanor took what appears to be a simple style, those folk club singers of the early 60s with ‘simple’ songs and tunes , except she doesn’t. Her style of playing had me transfixed, watching her fingers intently and then, those songs. Revelatory compositions on the human condition, how we face the rigours and disappointments of life but move forward with strength. Definitely one to watch.
And then Rosier. Similar in the way they took those folk tales of their past and the influences of those musicians that they were exposed to when growing up and created their own sound. Ethereal is an adjective I have heard mentioned a lot recently and their sound was certainly that. Again, not afraid to stamp their own mark on it and take those old tales forward for us all to hear in a contemporary setting. Past and present aligning to remember those warnings of pitfalls and problems to avoid.
If only some contemporary ‘leaders’ would learn those lessons.
videos by keith belcher
Elanor Moss: On A Good Day
Elanor Moss: Sarah Waiting in the Car
Rosier: Plus D'Amis
Rosier: S'il Chante
Rosier: Other Forms
Mar 28 2026
Minor Gold
Sunday 15th March 7pm at The Kirkgate Centre, Shipley
Photos by Richard Leach
The Live Room partnered with Kirkgate Community Centre for this one off special show by Australian duo, Minor Gold to help them complete the UK leg of their tour after the show booked for The Hullabaloo fell through. We’re really glad we managed to pull it together thanks to Kirkgate, as they delivered a really wonderful evening of brilliant songwriting and harmonies, together with some sparkling guitar work. We will definitely be working on a return visit by them, this time to our home at Caroline Street Social Club. Thank you to everyone who came along and made such a lovely night for them.
Mar 25 2026
Skye Consort & Emma Björling (CAN & SWE)
Sunday 22nd March 2026
Review Mike Latham, photos and video by Keith Belcher
Another fantastic performance at The Live Room; thanks Ron and Hilary. Well, the audience loved it and it looked like the performers had a great evening also.
Despite the similarity of instrumentation (are nyckelharpas making a comeback?), there was no mistaking the Skye Consort and Emma Bjorling for the recently enjoyed Firelight Trio.
One of the things that always strikes me about ‘folk’ musicians is their willingness to listen to and engage with musicians and songs from other parts of the world. We were introduced to our neighbours from Scandinavia, and we’re able to enjoy the universal tales of relationships and life from other areas, even if we might not have understood the language, we could understand the sentiment and joy created by the music.
What a mix of styles we were exposed to and not just in the mix of nationalities. The musical styles and backgrounds of each player, certainly to my ears, gave a ‘classic’ sound to the tunes and each was exceptional.
The mix of such individual voices created such a great sound and provided us all with such another uplifting evening.
It’s great to hear that negotiations for a return are underway. Here’s to the next contrasting session.
Wasn’t it Postcard Records who coined ‘The Sounds of Young Scotland’? Well, the sounds last night may not have been ‘Young’ but they were intriguing, emotional, empathetic, thrilling and beguiling. Talking to Ron afterwards, he also used the word ‘Ethereal’.
It would appear that we all came away with slightly different but, in the main, similar views of what we had experienced. The contrast between the two performances was very telling. When we go to festivals or one day events there is always a contrast between one performance and another. For me, that contrast was what made both last night so compelling. And it was all about sound.
The Firelight Trio certainly weren’t the average folk band; they took their instrumentation and inspiration from the genre and took it to another space. The sound they created was, to me, utterly magnificent, particularly the full sounds created by the nyckelharpa and the accordion.
My, what a contrast Constant Traveller proved to be. Yes, it would have been good to hear the whole sextet and experience their harmonies but, isn’t it also interesting to hear the stripped back sounds occasionally?
I loved those sounds and couldn’t quite put my finger on them. By contrast, more subdued than The Firelight Trio, they created a sound of tranquility as well as raw emotions. The words I heard spoke of relationships and resilience and, above all, empathy.
My candidates for bands that I was reminded of included Elbow and The Blue Nile. But, there was another name trying to break forth which didn’t quite manage it. On my way home I had the John Martyn Project CD playing. There he was…….. the man himself!
Mar 11 2026
Chris Wood 2026
Sunday 8th March 2026
Photos by Keith Belcher
Many thanks to everyone who came along and gave us a sold out evening for Chris Wood on Sunday. Chris was on superb form; his guitar and voice blending beautifully around those fantastic songs of his. In this writer’s opinion, ‘Spitfires’ alone is worth the price of entry. Although originally released some 17 years ago, it is sadly more relevant now that ever.
Never a polemicist or traditional protest singer, Chris nevertheless manages to echo and give words to the thoughts that haunt us during these very dark days. As he says: ‘I hope that people leave the show with the feeling that at least they’re not alone’.
However, not all his songs mine the ills of modern society, stories of replacing a much loved old sofa and taking his daughter to university show a family man dealing with the passing of time and are written with beauty, humour and much love.
He also gave us wonderful versions of some of our traditional songs, three of which were learned from his friend and sometime mentor, Martin Carthy, and were performed in tribute to the great man who has just retired from live performance.
The phrase ‘national treasure’ is much over-used, but is surely apposite in the case of this superb chronicler of English life. A brilliant show.
Mar 4 2026
Niall McCabe
Friday 27th February 2026
Photos and video by Keith Belcher, review by Mike Latham
A wonderful performance last night. We missed him at Hullabaloo and I hadn’t yet listened to him. His style was not what one might expect from someone from an island off the coast of County Mayo but he has clearly been listening to lots of different sounds over the years. The music of his first few songs made me think of the folk of the sixties , Renbourn and Jansch a bit, but the American country influences came through loud and clear as the evening progressed.
He’s developed his own, wonderful, guitar style, creating great sounds. His songs were marvellous tales of grief, wonderment and humanity, clearly influenced by his local culture as well as the folk music of his homeland and abroad. All was topped off with a great sense of humour and a perfect voice.
Thanks for introducing such another fantastic artist to us, Ron and Hilary.
Videos by Keith Belcher
Crescendo
Valentine's Day
Mar 4 2026
Ashley Campbell
Friday 20th February 2026
Photos by Richard Leach, video by Keith Belcher
Ashley Campbell made her return visit to TLR after last year’s Writers Round with Jeff Cohen. This time she had her own band with her, comprising Thor Jensen, guitar and vocals; Mark Lewis, bass and vocals; and Jack Amblin, drums, washboard and vocals. They were also joined by Andrew Cox, from Post Modern Jukebox on sax.
