Oct 22 2025

Bronwynne Brent 2025

Sunday 12th October 2025

Review, photos and review by Keith Belcher

Sunday 12th October. The Live Room, Caroline Street Social Club, Saltaire. The 5th visit of Bronwynne Brent from Greenville , Mississippi. This visit as a trio comprising Bronwynne on lead vocals and acoustic guitar with Texan Chris Maresh on bass and Graeme Stephen, Scotland on electric guitar.

As one might gather from a 5th appearance Bronwynne is a firm favourite at The Live Room. Bronwynne did, however, ask for a show of hands on who hadn’t seen her before and there were quite a few souls who were in for a quite unique experience. Bronwynne is , without doubt, a one off. I can’t think of anyone like her. Her voice and songs and overall sound and approach to performing are very distinctive.

Her album , Stardust, saw her voted Female Performer of the Year twice in a row by Americana UK and called up for television and radio appearances on the BBC. Listening and watching Bronwynne (and I have seen Bronwynne far more than 5 times) I thought of some words of the late, great Kris Kristofferson. Joni Mitchell had played her album Blue to Kris and staggered by the extreme vulnerability and openness displayed on the album. He said “God, Joni, save something of yourself”.

In a similar fashion Bronwynne’s songs are very intimately personal and her on-stage dialogue is basically brain to mouth with no filters in-between. If a train of thought occurs, she follows and shares it with the audience. You don’t really get “well rehearsed and relatively safe ad-libbing” as song intros, it’s what she’s thinking at the time and it’s shared in real time. It’s sometimes very funny , always very honest sometimes the threads and train of thought are lost but it is quite unique and her vocals are superb.

There were explorations of all the back albums tonight and a few new songs from the next one . Some quite different arrangements of the songs very ably played by Graeme and Chris. Some guitar and bass runs that drew spontaneous applause mid song. This was one of the great nights of 2025 at TLR and I have no doubts that Bronwynne would be very welcome to do a 6th visit at the club.

videos by keith belcher

Lost in the Moonlight

Raincoat

If You Go Away

Apr 18 2023

Bronwynne Brent 2023

Sunday 16th April 2023

Review, photos and video by Keith Belcher

Bronwynne Brent Trio, The Live Room, Saltaire Sunday 16th April 2023. The opening night of the tour and it very nearly didn’t happen as there were passport problems, flight problems, weather problems . Apart from a very brief nap Bronwynne came directly from the airport, having spent the night before hoping she would be able to get here as her flight was cancelled.

For those that weren’t there Bronwynnes last gig at TLR was the last gig before lockdown on 15th March 2020 , we didn’t know what was going to happen over the following 2 years . Many had tickets and didn’t turn up for the show, there was a strange, poignant atmosphere, we just didn’t know what was going to happen. Bronwynne just about managed to get back to the States before the airlines stopped flying and countries doors closed, no vaccine in sight at that point , we just didn’t know!.

Logically with all the things that went wrong leading up to the gig it should have been a disaster. However most people don’t live in Bronwynne’s version of reality. On top of the problems Bronwynne hadn’t played with Graeme and Mario for several years Mario was in the Trio in 2020 but Graeme was last in the Trio in 2018’s tour (I went to 4 gigs).

They didn’t have time to rehearse. Doors were scheduled for 1830. The trio didn’t arrive at TLR until gone 1800. With all that the show actually started approaching 1930 as opposed to the scheduled 1900 . What we got was a gloriously wonderful display of music at it’s most live. Bronwynne wouldn’t actually know how to rehearse a story or well practiced lines anyway so she just did what she does best and went with the flow in her inimitable manner laughing throughout.

Mario and Graeme are both wonderful musicians and took this in their stride. That’s not to say there weren’t some off notes on occasions but when music is as live as this who cares? Set list was kind of vague and relied on comments like “you know this one don’t you?”, the version of After You’ve Gone was prefaced by “you must know this , it;’s a classic” and then a line or 2 were sung to refresh Mario and Graeme.

You don’t get any more live (or riskier) than this but it was glorious. I don’t think I am alone in thinking this was just a fabulous gig and totally summed up what live music is about.

VIDEOS BY KEITH BELCHER

Don't Tell Your Secrets to the Wind; Dark Highway; Raincoat