Blog

Jun 12 2022

Suzie Ungerleider

Friday 4th June 2022

Words and photos by Keith Belcher

A collection of stills from last nights performance by Suzie Ungerleider; a very memorable night. So nice to see an artist really having fun on stage

May 25 2022

Jake Blount

Sunday 22nd May 2022

Photos by Keith Belcher

The debut appearance of The Jake Blount Band at TLR. Jake on banjo, fiddles and lead vocals. George Jackson, fiddle, banjo and vocals, Nelson Williams, double bass and Gus Tritsch, guitar, uke and vocals.

May 23 2022

Willy Porter

plus support Rebecca Loebe

Friday 20th May 2022

Photos by Keith Belcher

We were surprised and thrilled to have a late addition to the bill for Willy’s first show here in the shape of Austin-based singer songwriter Rebecca Loebe, who is on tour in the UK and had a gap in her diary. She shares a booking agent with Willy and decided to come along to see him as she was in the area for a gig in Queensbury the following night. Things couldn’t have worked out better and the two even managed to rehearse a couple of numbers for the encore. Another wonderful night at TLR!

May 18 2022

Outside Track 2022

Sunday 15th May 2022

Words and photos by Keith Belcher

The Outside Track is:

Isla Ratcliff – fiddle, vocals (Scotland)

Fiona Black – accordion, vocals (Scotland)

Teresa Horgan – flute, lead vocals (Ireland)

Seán Gray- guitar, vocals (Scotland)

Ailie Robertson – Gaelic harp, vocals (Scotland)

May 14 2022

Seth Lakeman

Thursday 12th May 2022

Words and photos by Keith Belcher

Another fantastic sell out gig at TLR. A trip through Seth’s archive. Set list with albums and year released. Difficult to believe Kitty Jay is almost 20 years old!

Set 1

Love Will Still Remain (Make Your Mark-2021)

The Giant (Make Your Mark-2021)

King & Country (Freedom Fields-2006)

Blood Red Sky (Poor Man’s Heaven-2008)

Bury Nights (A Pilgrims Tale-2020)

Bold Knight (Kitty Jay 2004)

Underground (Make Your Mark-2021)

Higher We Aspire (Make Your Mark-2021)

White Hare (Freedom Fields-2006)

The Setting Sun (Freedom Fields-2006)

Set 2

Lady Of The Sea (Freedom Fields-2006)

Side By Side (Make Your Mark-2021)

Shoals To Turn (Make Your Mark-2021)

Soloman Browne (Poor Man’s Heaven-2008)

Coming For You Soon (Make Your Mark-2021)

1643 (Freedom Fields-2006)

The Colliers (Freedom Fields-2006)

Change (Hearts & Mind-2010)

Kitty Jay (Kitty Jay-2004)

Blood Upon Copper (Kitty Jay-2004)

ENCORE

Last Rider (Word Of Mouth-2014)

May 9 2022

Le Vent du Nord – TLR 10th Anniversary

Friday 6th May 2022

Photos and review by Keith Belcher, forward by Ron

Forward

We honestly could not have wished for a better way to celebrate 10 years of The Live Room than we had on Friday night. A lovely little pre-gig buffet with attendant Chorus members, old friends and people who have helped us over the years, followed by the perfect celebration band. Many thanks to Keith for a pictorial record of the evening, one we won’t forget. Here’s looking forward to the next ten years!

We were especially thrilled to receive this beautiful sculpture from our friends Robbie Martin and Molly Kenyon. Robbie created it himself from a solid block of marble and it will be on display from now on at future shows!

Review

Le Vent du Nord (The North Wind) is a Canadian folk music group from Saint-Antoine-sur-Richelieu in Quebec. The band performs traditional Québécois music (which is heavily influenced by Celtic music from both Ireland and Brittany): The members are: Simon Beaudry (vocals, guitar, Irish bouzouki), Nicolas Boulerice (vocals, hurdy-gurdy, piano accordion, piano), André Brunet (vocals, fiddle, foot-tapping), Réjean Brunet (vocals, diatonic button accordion, acoustic bass guitar, piano and jaw harp) Olivier Demers (vocals, fiddle, foot-tapping, jaw harp and guitar).

Special dancing guest on the night was Ripponden’s own Alice Jones.

Wow! What a gig, a joint celebration of TLR’s 10th anniversary and Le Vent du Nord’s 20th anniversary and debut at TLR. I doubt there are many bands in any genre more suited to a lively celebration. It rocked from start to finish! One of the liveliest and most “Joyeux anniversaires” I have ever attended. (excuse the French). It was also up there in the top TLR gigs of the last 10 years.

May 2 2022

Kathryn Roberts & Sean Lakeman

Friday 29th April 2022

Review and photos by Keith Belcher

An unusual event tonight. Kathryn and Sean, usually one of Folk’s best dressed duos were in civvie garb after leaving their stage bag at Kathryn’s Mum’s house. That didn’t make any difference to the quality of the show. Boosting The Live Room’s already excellent sound with their own Bose units on stage. As Sean said we were in for a veritable Smörgåsbord of songs old and new, self written and traditIonal .

In amongst some of the old favourites were no less than 7 new, as yet unrecorded songs they were road testing on this tour. I think it would be an understatement to say that they went down pretty well. In the mix were traditional murders, tightrope walkers, mysterious cows , love songs, one about a whale singing off key and being lonely and some downright gruesome songs such as Huldra and Child Owlet . Great banter and song explanations throughout.

It goes without saying that Kathryn’s voice, keyboard and flute playing were excellent as was Sean’s guitar work. A really good night. Brother Seth due at TLR later in the month. Set list below.

Set 1

The Granite Mill

52 Hertz

The Rope Dancer (new unrecorded)

The Knight’s Ghost

Red Rose & White Lily (new unrecorded)

The Cows Of Mystery Eavesdropping (new unrecorded)

A Tribute Of Hands

A Song To Live By

Set 2

The Willow Tree

The Fall Of The Lion Queen (new unrecorded)

Night Visiting (new unrecorded)

The Child Owlet

Huldra

The Year Without A Summer (new unrecorded)

Tomorrow Will Follow Today

Pewtor (new unrecorded)

Apr 24 2022

Hot Club of Cowtown

Friday 22nd April 2022

Photos by Ron Pengelly

What a fantastic night we had with the amazing Hot Club of Cowtown on their TLR debut!

Apr 13 2022

John Smith 2022

plus support from Native Harrow

Sunday 10th April 2022

Review and photos by Keith Belcher

Supporting John on this tour were Philadelphian duo Native Harrow, now resident in Brighton. UK. They are Devin Tuel on main vocals and guitar and musical partner multi-instrumentalist Stephen Harms, tonight mainly on bass and guitar. Both wearing well-made flared trouser suits. They evoked, to me, sounds of the late 60’s and 1970’s.

Devin’s vocals have been compared to, amongst others, Laura Nyro and Karen Carpenter. They have released 4 albums. The latest being CLOSENESS which garnered very good reviews from Uncut, The Times, Mojo and The Guardian. They certainly seemed to have some avid followers in the audience who greeted their songs with much enthusiasm.

The dictionary definition of exquisite is: adjective: “meaning extremely beautiful and delicate or marked by flawless craftsmanship or by beautiful, ingenious, delicate, or elaborate execution”. It could also be justifiably ascribed to John Smith’s performance on Sunday night. I have seen John Smith play great shows many times over the last 16 years or so, often taking in several shows in a tour. Sunday’s show, however, was just exquisitely sublime. The show was deservedly sold out in advance. That’s not bad when you consider he was only playing a few miles away at The Brudenell Club, Leeds the night before. Usually promoters try and avoid that sort of proximity clash but with multiple cancellations, rescheduling etc etc over the last 2 years, life is what is!

There have been many changes for John over the period of you know what. He’s had time for much reflection and introspection. It’s resulted in many great new songs. He’s moved home from Somerset to North Wales, brought his parents over from Spain to care for them, found out he’s allergic to all sorts of things and changed his diet considerably. He’s brought out 3 excellent albums over that period. He has also really missed playing to real live audiences.

The joy of being able to perform again has been, like for other acts recently at TLR very noticeable. His sound has altered considerably. To my ears it’s far more refined and delicate. He was always quiet but never more so than now. The array of effects pedals at his feet also seems to have bred profusely and are used subtly to enhance his voice and guitar. He always used to make do with 2 guitars but he now travels with 3 and one is called Mavis. Perhaps the other 2 also have names but he didn’t introduce them on the night.

A rare night off sound desk duties for Ron, which, I would imagine made the sold out show even more enjoyable. John and Native Harrow had the skills of Barnsley’s Joe Rusby at the desk. Both Joe and John commented at the sound check just what a great room TLR is for sound. Something all the regulars are well aware.

John’s set opened with the array of pedals being used to great effect on a long extremely delicate intro to Hold On from THE FRAY. He then remarked it had been approximately 3 years 16 days since he performed at TLR, not that he had been counting! The next 2 songs were also from THE FRAY. Sanctuary had also been re-recorded for THE FRAY VARIATIONS with a String Quartet at Abbey Road. It has, amongst others, a wonderful line, “I saw the future with eyes wide open”.

The set also featured the traditional Hares On the Mountain and a Roly Salley cover, Killing The Blues, really beautifully sung and played. Whenever I hear this song played by anyone, I think back to a Martin Simpson comment about the royalties cheque difference when Robert Plant and Alison Krauss recorded the song, considerable I should imagine. John’s version was just as good. 

During the time of no live gigs John collaborated with the very phenomenal Sarah Jarosz on a song called Eye To Eye, also on THE FRAY. What a lucky man! He sings with both Sarah Jarosz and the equally brilliant (“big sister”) Lisa Hannigan. He commented that when he received the vocals (it was all done at distance, Sarah is US based) from Sarah he thought he had better redo his own already recorded vocals, Sarah’s were that good. I have seen her several times and she really is a huge talent and still SO young. She also performs in a trio called I’m With Her with Aoife O’Donovan and Sara Watkins who have harmonies beyond belief, well worth checking if not already known.

He did 2 songs co-written and sung with Lisa. The first was Star Crossed Lovers. John joked if we imagine hard Lisa and Sarah might appear from backstage. I’d think I was hallucinating or in heaven if that happened.

 John in a recent Facebook blog had given a glowing report on TLR audience. His line was a “die hard pin drop audience”. I was really aware of this as Sunday really was a “you could hear a pin drop night”. I had arranged with John that I would photograph 3 songs to capture the 3 different guitars and I would do most of it from the back. I have never been so conscious of a shutter click, the listening intensity of the audience was so much that to me, the shutter release sounded like thunder. I sincerely hope I did not really annoy too many people. I moved around to “share” the load. John maintained a friendly constant banter with the audience throughout. There was even a little friendly Northern heckling of Get On With It in response to one banter interlude.

All too soon the show was coming to an end with 2 songs from HEADLONG, Joanna followed by Far Too Good, both songs are incredibly well written and have seriously addictive vocal and guitar hooks. Along with Save My Life (possibly the catchiest song for many a year, sadly not performed) from same album they all need health warnings that once heard they’re going to echo around your head for days (or more).

The encore paid homage to John’s Brixham , Devon upbringing with another Lisa Hannigan co-write and performed song Salty and Sweet. The audience performed their vocal parts beautifully without being asked bringing a huge smile to John’s face. It was easy to see that he really enjoyed the night. Let’s not wait another 3 years for the next visit.

Apr 5 2022

Lynne Hanson 2022

Plus support Malcolm MacWatt

Sunday 3rd April 2022

Review and photos by Keith Belcher

Canadian Lynne Hanson’s second visit to TLR had been one of the many gigs delayed , postponed and rescheduled due to you know what.  This time around she was accompanied on guitar, vocals and electronic wizardry by the very excellent Ottawa based Blair Michael Hogan. London based Scots singer songwriter Malcolm MacWatt was making his TLR debut.

Following his debut performance I am fairly certain that Malcolm MacWatt will be back at TLR soon headlining his own show. He was very well received by the TLR crowd, some of whom had travelled far and wide for tonight’s show. Morayshire born, currently living in London. One only has to look at the guests on his new album SETTLER and its many glowing reviews to get an idea of the rep he’s making for himself with his excellent song writing. The album features no less than Jaimee Harris, Laura Cantrell, Gretchen Peters, Eliza Carthy and Kris Drever. That’s not a bad guest list. A multi-instrumentalist playing almost all instruments on the album himself.

Tonight, he limited himself to guitar only. A very good selection of songs. A theme of Celts abroad present in many of the songs such as the opener The Crofter and the Cherokee, followed by a tragic Letter From San Francisco, a sad letter written from an emigrant to his mother. A slightly disturbing (these days) recount of his Dad keeping a shotgun in the car in case they saw any game. That helped towards the song Trespass a very intelligent and observational song. He finished his set with a taste of Red River Woman, a song he’s currently recording . His opening remarks to that song about hating misogyny and prejudice of any kind reminded me greatly of Dick Gaughan, another Scot with a huge social conscience.

Hilary introduced Lynne Hanson and Blair Michael Hogan to huge applause. A lot of people had been waiting a long time for this gig, postponed and rescheduled over the last 2 years.

Blair’s guitar painted a lush sonic landscape from the opening notes of Hold My Breath and continued that way all night. The song, about friendship and living in the moment inspired by the period of you know what making us think about our lives and relationships. Blair’s guitar was superb throughout. An array of pedals at his feet and the skill in his fingers creating wonderfully diverse textures and emotional backdrops to Lynne’s guitars and vocals. Blair also sang harmonies but mainly played really superb guitar with very little conversation (except for one point – more later).

The next song 100 Mile Wind had a Wizard of Oz intro about filling up her car with gas and almost being blown to Kansas. Lynne’s album JUST WORDS was written before lockdowns (“Before Times”) happened and it never got the extensive  touring it deserved and then along comes ICE CREAM IN NOVEMBER , to be released officially on April 22nd. Lynne commented on how lonely the songs from JUST WORDS must have felt not being allowed out to meet the world.

Lynne’s lyrics and songs cover a huge range of topics as do her in between song banters. It would be fair to say she could probably hold her own at TLR’s comedy nights as a stand up comedian. The audience were, at times, in stitches with her highly theatrical, animated conversations and gesticulations. They covered all sorts of topics from observations about Canada’s “big” neighbours and health services and huge vats of maple syrup, jigsaw puzzles, being vetted for a “Nice Canadian” card to allow exit from Canada. Imagined meetings with Ernest Hemingway and strangely named deserts.  

Lynne has a really infectious energy that crackles about her. Feeding on the energy from the audience and giving it back in spades. Blair ‘s only comments of the night were when she was relating her experiences of drinking (she stopped in 2011), something along the lines of finding it difficult to imagine her as a drunk. The song Long Way Home was written after giving up booze. It really reminded me of another TLR favourite the great Bronwynne Brent, it had that nice easy, bluesy, jazzy feel to it.

The pace and delivery of songs was very varied. The banter from factual, comical to philosophical sophistry – (did the colour blue exist before someone called it blue – Orion’s Belt). What was very evident from the start and throughout was the sheer joy at being back on a stage in front of real people playing live music. It’s been a common theme amongst artists since lockdowns ended but so far none quite so evidently displayed as tonight.

As the set drew to an end Lynne had the audience singing along with a very upbeat Shadowland with Blair pulling out all the guitar stops. In another country he would have been given several bursts of spontaneous applause for his breaks. With dramatic contrast Lynne and Blair finished set proper with an unplugged version of Gotta Have Rain, perched precariously on the stage edge. She said in the “before times” it was a song about gratitude and in the (hopefully) “after times” it is even more of a song about gratitude and appreciation of the way things are. ” You want to have flowers, you gotta have rain”. It was dedicated to as especial thanks to promoters and audience who are turning out to support live music.

They weren’t getting away without an encore which was the very superb River of Sand. A great night, good time had by all, performers, audience and everyone involved. What else do you want on a Sunday night?