The best all round roots music club in West Yorkshire
Apr 11 2019
Hannah Sanders & Ben Savage, Friday 5th April 2019
We were absolutely thrilled to welcome Hannah and Ben back to TLR last Friday, they are genuinely one of our favourite acts and lovely people too. They remain big music fans and supporters of other artists as well as highly respected musicians and songwriters in their own right. Thanks also to Henry Parker for a great support set!
Unfortunately, we were without Keith Belcher, our regular reviewer and photographer at the weekend, as he was enjoying a well-deserved holiday in Cornwall! So we only have a few photos to share, thanks to Diane Park. If anyone else has a few they’d like to share with us, please email to firstname.lastname@example.org and we’ll put them up!
Mar 28 2019
Mile Twelve, Sunday 24th March 2019
Review and photos by Keith Belcher
Sunday 24th March 2019, The Live Room, Caroline Social Club, Saltaire. Playing the Live Room on the final night of their first UK tour were Boston (US) based band Mile Twelve. Nothing unusual about good bluegrass from Boston, check out Crooked Still’s catalogue. Listening and watching the sound check it was obvious that tonight was going to be quite a special and enjoyable night.
The band were definitely in high spirits and wow, did it show in their performance!!. Comprising lead vocalist Evan Murphy on guitar, David Benedict mandolin, Bronwyn Keith-Hynes, fiddle, Nate Sabat, upright bass and BB Bowness on banjo. What the audience delighted in was 2 sets of old and new, fast and slow bluegrass, mainly songs , some tunes, some seriously high octane and classy playing and singing. Very easy to see why they are being predicted for great things in the future. Already IBMA award winners.
Throughout the night there was an intricate dance of shared instrumental leads and breaks , mixing up the vocals mainly through the one microphone in true bluegrass style. All members participating in some superb vocals obviously well choreographed and practiced to pull it off so smoothly.
The fastest song and playing was possibly at the end of the show with Innocent Again which was exhausting to just listen to!! After that they were called back for an encore, a surprise to me, that “well known” bluegrass classic of Elton John – Rocket man, just sublime, such effective fiddle glissandi. The audience weren’t going to let them go without a second encore and so they came back for a very upbeat version of yet another “well known” bluegrass classic, Ramblin’ Man by the Allman Brothers.
A great demonstration of just what you can do in the bluegrass genre if the players are good enough and tonight they were. Great participation from the audience I might add. A thoroughly enjoyable night. They are planning another visit , let’s hope it’s not too long.
Mar 17 2019
Friday 15th March 2019
What a fantastic night we had with this quartet from Madrid. A night of joyous entertainment, to forget about the woes of Brexit was promised, and that’s exactly what we got. Brilliant entertainment, harmonies and laughs all the way. They’ll definitely be back at some point. Thank you to everyone who came out and gave them such a huge crowd to play to!
Thanks too to Val Pelleschi, Harvey Bosomworth, Ruta Carter, Nick Lacey and Pete Stevens for the photos below, in the absence of Keith, who was away for the evening.
Pre Show Interviews
Interview with Rob & Molly of BCB Radio's Into The Buttercup
Mar 11 2019
Hannah Johnson & The Broken Hearts
Sunday 10th March 2019
A fabulous night of genuine country music and honky tonk, none of your Nashville country pop, just great songs played by a purist! Photos by Keith Belcher
Pre Show Interviews
Interview with Rob & Molly from BCB Radio's Into The Buttercup
Feb 24 2019
David Ford Friday 22nd February 2019
David had been on our hit list since, purely by chance, seeing his amazing one camera take of the track ‘State Of The Union’ from his debut album, ‘I Sincerely Apologise For All The Trouble I’ve Caused’, on YouTube. We were floored not just by the originality and ingenuity, but also the passion with which the song was delivered. This was 2006 and we were still running Live at the Talbot in Tregaron, mid-Wales. We immediately wanted to book him, so started to track him down.
Fast forward almost thirteen years and, despite many attempts and some fleeting near misses, David had remained frustratingly out of reach. Having finally managed to bring him to our stage, he freely admitted that our inability to secure him was not a case of his being evasive, but instead down to poor admin! Indeed, in this age of seemingly constant social media self-promotion, it was only when he was in the van on the way from his home in Eastbourne to the show, that the idea of mentioning it on his Facebook page occurred to him.
This inability, or perhaps unwillingness, to engage with the business machinery was possibly explained in part during his show, which constituted a departure from his usual performance style into something of an interactive retrospective on his 15 year ‘career’. That word is placed deliberately in inverted commas, as David himself doesn’t think of what he does as a career. As he explained during what was a pretty much heart-on-the-sleeve performance, any idea of a ‘career’ in the music business ended, at least in part, during the very painful creation and promotion of his second album, ‘Let The Hard Times Roll’.
He clearly enjoys the fact that he now has the freedom to create music the way he wants, and the loyalty and connection with a sizeable army of genuine fans on both sides of the Atlantic. However, his brushes with the ‘suits’ of the business over the years wounded him so deeply that he once almost stopped making music, and those wounds have clearly left scars, at least one of which takes the shape of ‘I Choose This’, both the title of a song and his book. The subtitle of the book is ‘How To Nearly Make It In The Music Industry’ and perfectly captures the wryness of his humour and why he now chooses to carve his own, completely individual path.
The stage was set to create the impression that we had been invited into David’s front parlour; part concert, part theatre. In a show lasting around two and a half hours, we got anecdotes, question and answer sessions that gave an intriguing insight into this particular songwriter’s creative processes, and of course a bunch of wonderful songs. We even got, as part of an answer to one of those questions, an impromptu version of ‘You Were Always On My Mind’, a hit for Elvis, Willie Nelson and The Pet Shop Boys, and a song that David greatly admires for it’s perfect marriage of sentiment and melody.
This particular show format from David is still something of a work in progress. He admitted to the audience that he’s still having trouble with the running times and it may not suit those who want a more conventional, song-led show. However, for his fans and those who are interested in what makes a great songwriter and performer tick and the hurdles they have to overcome to create their own identity and maintain self respect, this is an engrossing and immersive experience. The passion is still there, but rather like a magician revealing how it’s done, he gave us an insight into what actually created it.
Photos by Keith Belcher
Feb 16 2019
FAI Montreal 2019 Photo Diary
Here are a few photos from our first few days in Montreal. In no particular order (because I didn’t have time or inclination!), from our journey, arrival, hotel and bar, the underground city and, oh yes, some music showcases, ‘cos that’s what we’re here for! More soon…..
It’s great to discover good new music
venues, particularly ones like The Live Room, situated in the Caroline Social
Club in the World Heritage Site-designated village of Saltaire, near Bradford.
Saltaire was a ’model village’ established by nineteenth-century industrialist
Sir Titus Salt, with the aim of providing good housing, employment conditions
and facilities for his workers, contrary to the prevailing squalor and
exploitation of the industrial revolution.
The Live Room specialises in folk, roots
and acoustic music, aiming to present a varied programme featuring both
established names and up-and-coming artists. It will be celebrating its 200th
gig in March. The club is obviously about real enthusiasm for music and MC
Hilary tells us that the club will be closed for three weeks while she and Ron
go off to Canada again in search of new acts. Indeed tonight’s band, Vishtèn,
are one of their discoveries from a previous trip.
Vishtèn are a trio from Eastern Canada whose
répertoire is focussed around French-Canadian traditional music, with many
songs derived from archive sources. They tell us that they look for joyous folk
songs, but invariably they end up with songs about heartbreak. Vishtèn
particularly celebrate Acadian music culture, which derives from the French
settlers who made their home in North America in the 17th century, including
America’s southern states, where it morphed into Cajun.
The band are twin-sisters Emmanuelle and
Pastelle LeBlanc, from Prince Edward Island, and Pascal Miousse, a direct
descendant of the first colonial families to inhabit Quebec’s remote Magdalene
Islands. As well as singing, these three talented multi-instrumentalists play
flute, fiddle, guitar, accordion, piano, mandolin, and bodhràn. Vishtèn
enthusiastically engage with their audience throughout the evening, providing
an ongoing witty but informative commentary on the music, matters
French-Canadian and their own personal backgrounds. Pascal informs us that it
is the twin-sisters’ birthday and the audience obligingly sing them ‘Happy
Vishtèn’s energetic music is absorbingly
varied, with band members frequently changing to different instruments. Most of
the material tonight comes from their latest album, ‘Horizons’. Some of the
songs are self-penned, like highlight ‘Les Sirènes à Roméo’, which features
some nice melody, delicately played on flute, guitar and piano. Occasional
percussion is provided by the bodhràn, but also, interestingly, by the sisters
‘tap-dancing’ their feet while playing other instruments. Pascal provides some
fine fiddle and guitar, in an amazing variety of styles. In fact the
cross-pollination of musical heritage is one of the most interesting features
of the evening, including for example, Cajun and Irish music. Vishtèn finish
with a triumphant finale of jigs and reels.
Pre Show Interviews
Interview with Rob Martin from BCB Radio's 'Into The Buttercup'
Jan 28 2019
Martyn Joseph, Friday 25th January 2019
In the absence of our friend and regular photographer/reviewer, Keith Belcher, who was otherwise engaged on the night, we were lucky that Martyn’s technician and friend Mark Dyde had brought his camera with him and grabbed some shots from the evening.
And what a fantastic evening it was! It was the official launch day of Martyn’s latest (and unbelievably 33rd!) studio album, ‘Here Come The Young. We were thrilled to have almost a full house to see him deliver yet another fantastic show, full of energy, passion, warmth and human spirit. One of the nicest men in the business, he is always a welcome visitor to TLR and we’ll definitely be seeing him again.
Jan 22 2019
Sugaray Rayford Band, Friday 18th January 2019
Friday 18th January 2019. The Live Room,
Caroline Street Social Club, Saltaire hosted the Sugaray Rayford Band on their
first UK tour.
Sugaray had a stunning 6-piece band with
him comprising Lavell Jones, drums, Alastair Greene, guitar, Drake Shining,
keys, Allen Markel, bass, Giles Straw, trumpet and Aaron Liddard on sax. It was
snowing lightly outside but inside, as requested by Sugaray, the floor was
mainly cleared for dancing and much dancing there was. The audience coming from
far and wide (even Lancashire!) to see the man on his first UK tour and I think,
judging from the crowd reactions, that most thought it long overdue but well
worth the wait.
What they had waited for was a night of
very infectious soul, rhythm and blues, blues, rock, jazz, a touch of reggae
and even a small sprinkling of country from a very tight band led by a 6 foot
5inch front man with a huge voice and even bigger personality who made serious
use of the space available for his own pretty slick moves. He took some time at
the start to chat to and acquaint himself with his audience before launching
into “Big Legs, Short Skirt”. The show included many of his own songs
and some inspired covers such as Albert King’s “Born Under A Bad
The band were extremely tight, often
improvising with extended solos, always accentuating and punctuating Sugaray’s
powerful vocals. At one point, Aaron left the stage and circulated through the
dance floor playing an unamplified sax solo. Spontaneous almost scat type jazz
singing from the audience and a light backing from those on stage amply
illustrated just what makes live music so great. You don’t get this vibe from
your CDs or radio or whatever means you use to listen to recorded music.
Throughout the show and especially the end of set 1, all the musicians showed
just what they could do on their solo instruments, pretty impressive but not a
surprise when you consider their musical pedigrees.
Sugaray stated a simple ethos of we only
get one shot at life, make the absolute most of it, saying ” Music was
never meant to be serious”, “It’s not a concert, it’s a party”.
It certainly was and one that tonight’s party goers would have liked to go on
all night long. Set 2 opened with a sing along of the Louis Armstrong classic
“What A Wonderful World”. After a night of great mainly R&B they
left the stage with “If I Live To Love Again”.
There was a superb, if somewhat unexpected
encore of Pink Floyd’s “Comfortably Numb” with Drake on lead vocals I
have to say that took me by surprise. Yet another act that it’s safe to say
will be very welcome back next time they tour. Even at this early part of the year
this will definitely be a contender for gig of the year.
Review and photos by Keith Belcher
Jan 15 2019
The Mammals, Sunday 13th January 2019
Sunday 13th December 2019, The Live Room, Caroline Social Club, Saltaire. Hudson Valley, New York based band, The Mammals gave a superb start to the Live Room’s programme of events for 2019. Fronted by Mike Merenda guitar, banjo and lead vocals, Ruth Ungar, fiddle, guitar, “baby” banjo and lead vocals with Will Bryant, keys, vocals, Konrad Meissner, drums, vocals and Brandon Morrison on bass and vocals.
A slightly delayed start due to some
intricate surgery needed on Will’s keys prior to show. As was witnessed by the
crowd the operation was a complete success and it was well worth the wait. A
wonderful appreciative crowd listened intently and at times sang along with
gusto. The listening was greatly appreciated by the band, something they might
not be used to in the States.
A very varied show of sometime fast and
loud, sometimes delicate songs and tunes. a mix of styles incorporating folk,
old timey, rock and roll, soul, blues, Celtic and a touch of Cajun for good
measure. Opening with the very lively D Medley it just took off and kept
getting better. There were some surprises (to me) such as Richard Thompson’s
classic 1952 Vincent Black Lightning, first time I have heard the song on banjo
and it was indeed superb. A beautiful version of a “Scottish lament
written by some Jewish guy from the Bronx” (the Jay Ungar tune Ashoken
Farewell). Many songs from new CD Sunshiner as well as new as yet unreleased
songs, “Come To My House” and “Someone’s Hurting
Somewhere”. Mike and Ruthy’s back catalogue featured also.
They finished the show with the very up
tempo “On My Way Home” with some very enthusiastic audience singing.
The crowd weren’t letting them go without an encore (this is Yorkshire after
all!) What an encore they got. The band took it up yet another notch with (I
think) the instrumental “Port Arthur Stomp” which had some inspired
playing and allowed the individual band members to show their skills on solos.
Great show, only a few gigs in the UK. Speaking for Ron and Hilary and the
crowd I think it safe to say they will be very welcome back in Saltaire
whenever they play the UK again.
NOTE: Late edit – The final tune was Acadian 2 Step not Port Arthur Stomp (thanks to Mike).