The Live Room – Page 2 – The Live Room

Jul 25 2023

Karine Polwart

plus support Iona Lane

Thursday 8th June 2023

Review, photos and video by Keith Belcher

The second of three Scots performers in a row at TLR. A TLR debut appearance of Karine Polwart. By no means Karine’s first appearance in Saltaire but a first for TLR . Judging from some of the comments I heard on the night, a first concert by Karine for many. By the feel of the comments she made a lot of new fans who will be very eager to see her again, eveything I overheard was very complimentary . Karine introduced Iona Lane who opened the show. Iona also acts as tour driver due to Karine’s vertigo precluding Karine driving. Karine was introduced by Hilary and then went on to introduce Iona, joining Iona on stage to harmonise on Iona’s final song ‘Humankind’.

Karine then stayed on stage playing solo for the rest of the set. Those who know or have heard Karine’s body of work will know of her huge interest in natute and natures folk lore, especially birds, and trees. Many other aspects of nature fascinate Karine and the show tonight was no exception.

I should start by saying that I am a long time huge admirer of Karine and her many projects and collaborations so I am somewhat biased in any reviews I write. It had been a while since I last saw Karine. That being in January 2020 in Glasgow , just before you know what happened. That night Karine was taking part in Rollin’ Roots Review 70th birthday tribute to the boss. Having seen that both Karine and Lisa Hannigan were taking part booking a ticket was a no brainer. Karine rocked out to The Ballad of Tom Joad and The Rising and Lisa featured Tougher than the Rest in her segment. Just sheer unexpected magic. But onto tonight at TLR.

A feature of Karine’s solo shows is that sometimes the intros are far longer than the actual songs themselves , tonight was no exception. If she’s with brother Steven and multi instrumentalist Inge Thompson they sometimes restrain her dialogue. Not a problem for me as I love both the songs and Karine’s distinctive Scots voice, both spoken and singing, also her unbridled enthusiasm for whatever Karine gets involved in.

It’s very easy to spot that Karine is fascinated by nature in all it’s aspects especially birds and trees, nature pretty much ruled tonights shows. She even opened Celtic Connections in 2017 she showed the political side of her nature by portraying Donald Trump, as seen through the nature of the Isle of Lewis, in a song called ‘I Burn But Am Not Consumed’ (The McLeod family motto), a song telling of his mother Mary Anne MacLeod’s emigration to America . A very powerful song well worth checking out if not already aware. Karine had been on stage to introduce opener and driver Iona Lane. Joining Iona for Iona’s last song ‘Humankind’.

Karine stayed on stage and opened her show proper with ‘Rivers Run’, a song written for her son (now 16) from This Earthly Spell (2008). The Live Room Choir was in good voice answering to the nany requests for them to join in with the show. As early as song 2 with ‘Heartwood’ from one of Karine’s projects Spell Songs (2019). The first tree song of the night using the voice of an ancient tree addressing it’s cutter. There was an as yet unrecorded song in set 1 based on a short poem by Charles Simic. Another song based on a poem by Robbie Burns (The Wrens Nest) called ‘Come Away In’ closed set 2 with the Choir in good voice. That one from the latest album Still As You’re Sleeping (2021).

Set 2 opened with ‘Terminal Star’ from 2006’s Scribbled In Chalk . ‘Cornerstone’ was next from Laws of Motion (2018), song to be used in a new BBC nature related documentary that Karine will feature in, something to look forward to there! More songs about birds with ‘The Lark In Clear Air’ from A Pocket Of Wind Resistance (2017). More sing alongs with a cover of Deacon Blue’s ‘Dignity’ (Karine Polwart’s Scottish Songbook , 2019) and ‘Travel These Ways’. A beautiful and as far as I know unrecorded song ‘Beechbrae’, a 100 year old tree named Rebecca (you needed to be there for that intro) telling the story of it being attacked by a chain saw cutter (and surviving). This song inspired by a Forester friend of Karines.

All too soon we were at the end of the gig. Iona rejoined the stage and combined voices beautifully on ‘The King of Birds’ (Traces 2012). The final song was a delightful cover of Rachel Sermani’s ‘Lay My Heart’ with a wonderful contribution from Iona and The Live Room Choir . I would imagine Rachel will be on Ron & Hilary’s booking list before long. A truly wonderful night. It would be really nice to see Karine at TLR again.

Videos

The Path That Winds Before Us; Cornerstone; and Rebecca

Call of the Curlew

Jun 10 2023

Kris Drever Band

Sunday 4th June 2023

Review, photos, video by Keith Belcher

4th June 2023. Kris Drever is no stranger to The Live Room, this was his sixth visit. This was his first with this band of friends making a rare and very welcome foray south of the border. The first of 3 Scots performances in a row for TLR in June. The wonderful Karine Polwart and Iona Lane on 4th and Glasgow based Gnoss on the 11th. Tonight the band comprised Kris on main vocals, acoustic and electric guitars, Euan Burton on upright and electric bass, Rachel Lightbody on vocals and multi tasking Admiral Fallow leader Louis Abbott playing drums, percussion, guitar and vocals.

Pretty much a sell out show with trips through the extensive back catalogue but not usually heard live with this combination of artists. Opening and closing the show proper with songs from 2016 album If Wishes Were Horses. Capernaum to start and finishing with title song If Wishes Were Horses (Both songs also feature on the new CD ..The Best Of.. a 36 track double CD). The harmonies working very well throughout. All band members contributing to vocals. An extremely well paced show with Kris giving good introductions to each song in his distinctively humourous understated style .

Set 2 opened with Kris solo playing Shetland fiddle music on guitar, The Unst Bridal Marches from 2019 mini album Hill And Shore. You could have heard a pin drop in The Live Room. The band re-joined the stage for newish song Catterline from the 2023 new album (The Best of ) . Tempo definitely upped for Hunker Down/That Old Blitz Spirit. Harvest Gypsies was next, a song performed recently at TLR by writer Boo Hewerdine.

The rest of the show just whizzed past ending with I Didn’t Try Hard Enough before a double encore of encores of Poor Man’s Son followed with an off mike encore of The Poorest Company. Kris providing solo unplugged guitar as the only instrumentation and everyone contributing to harmonies. A wonderful ending to a wonderful night. Both songs from the new compilation album.

Ron enjoyed a rare night off sound duties thanks to Tom Stanier doing a cracking job of sound mixing for this tour.

For anyone interested Poorest Company is also a song from 2006’s Before The Ruin where Kris collaborated with John McCusker and Roddy Woomble (and many others-well worth checking out ).

Interviews

Hunker Down and Harvest Gypsies

May 27 2023

Wanderland

Sunday 14th May 2023

Review, photos and video by Keith Belcher

Sunday 14th May 2023. The Live Room, Caroline Street Social Club. Two debuts to TLR. Amy Clark opened for Wanderland. The first thing to say is that I would say, if averaged out this was possibly one of the youngest audiences for TLR. Both acts featuring young up and coming artists. It’s not a regular occurrence that TLR attracts a band who have been played on Radio 1 and Radio 6 . Radio 2 Folk Shows and R4’s in Tune maybe but Radio 1 is a first I think.

The opening act was Scots vocalist, improvisor and songwriter Amy Clark. Her very powerful voice very ably accompanied on keyboards by Glen Leach. Amy also played guitar on Face to Face, her penultimate song of the night. Amy graduated from Leeds Conservatoire in 2021 and whilst there was very active composing, performing and collaborating with musicians in two jazz/contemporary music bands she co-founded, Flood Company and Ah Um Collective. She has also gigged around Leeds under her own name in a jazz quartet format. Her contemporary takes on jazz and folk standards (a very different Wild Mountain Thyme for the folkies to mull over) are inspired by artists Cécile McLorin Salvant and Theo Bleckmann while her original songs draw influence from Snowpoet, Laura Marling and Liane Carroll, combining thoughtful lyricism and intricate melodies.

In 2022, she joined Leeds chamber jazz/folk jazz band Awen Ensemble and was featured on their single “Bendith”, released that same year. It had strong radio support on Jazz FM, Worldwide FM, Basic Soul Radio, Totally Wired Radio, Radio D59B (Belgrade Serbia), Soul Power Radio, Universal Rhythms, Reform Radio, Radio Alhara (Palestine) and Radio Con (Vos Argentina). Many presenters have commented on the lovely sung and spoken word vocals from Amy. In the past couple of years, Amy has also been a first call backing singer for future soul/global beats bands like KOG, Heritage and Kindelan.

London and Yorkshire based Wanderland were the brainchild of duo Matt Robinson (Snowpoet) and Natalie Wildgoose. Recording their debut EP ‘Songs, I’ in a remote old mill next to a waterfall in the north of the Yorkshire Dales over 6 months. An apt location for their style of music. The introspective and isolated setting became an incredibly generative time. They dubbed the project Wanderland intentionally as it was came about from their exploration of the wilderness.

The two records ‘Songs,I’ and ‘Songs,II’ were both written and recorded in North Yorkshire. Some songs were written only hours before recording, capturing something deep and open-hearted, you can hear the rainy days and the star speckled nights. Collaborators and friends also show up across the EP including guitarist Tara Cunningham (Tenderhost), drummer Dave Hamblett (The Magic Lantern) and bassist’s Max Luthert (Zara McFarlane and Moses Boyd) and Tom McCredie (Seafarers).

Several Wanderland songs have been played on BBC Radio 1 The Chillest Show and Annie Mac’s Power Down playlist as well as BBC Introducing, BBC 6 and a live session for BBC York, who nominated their release as Record of the Week.

Tonight the band was Natalie, Matt, Dave Hamblett and Max Luthert.

Videos

Town and Soon

Apr 25 2023

The John Martyn Project

Friday 21st April 2023

Review, photos and video by Keith Belcher

Friday 21st April 2023. The John Martyn Project (Blythe Pepino, Kit Hawes, Pete Josef, Sam Brookes, John Blakeley and Jon Short)

This is a special project where six artists come together to celebrate the music of John Martyn. Each brings their own story and connection to John’s music which adds to the fabric of the overall experience of the project. Words below are lifted (with permission) from Mike Latham’s post yesterday.

“Out at The Live Room in Saltaire to see The John Martyn Project, not knowing what to expect. The venue was full and we were absolutely enthralled, gifted musicianship, wonderful voices and amazing interpretations of Martyn’s songs. Another great evening, local small venues really do provide an amazing service for those seeking the balm that music can provide.”

My Words on the performance. I have seen John Martyn many times between the late 1960’s to the early 2000’s. My favourite period being the period up to the mid 1970’s. A lot of the songs tonight related to John’s early career including Blythe’s beautiful rendition of Fairy Tale Lullaby from 1967’s debut album London Conversation and Sam’s Bless The Weather.

Many of the songs performed had not only the subtlety of acoustic works but also the power of the later John Martyn electric bands but without the slurred lyrics of John’s latter years. I also saw the 2 star studded tributes Danny Thompson put together in 2010 and 2019 at Glasgow’s Celtic Connections Festival (Yes I am a long time John Martyn fan!!). The difference with this band was that all the songs were obviously copiously rehearsed and arranged to add to and give something different from the originals. The musicianship was obviously first rate but what made them stand out were the harmonies and arrangements.

Most of John’s catalogue didn’t feature multi-artist harmonies, it really works though. Some might find it sacrilegious but many of the songs performed were not just homage and tribute but actual upgrades. As with Joni Mitchell covers (most of which I find utterly sacrilegious) why just perform note for note like the original, always best to add something unique or leave alone. That was certainly the case with this show, a really enjoyable evening, hugely appreciated by an almost capacity crowd. These are my personal views. Yours may differ, please feel free to add any comments on your views .